For an aesthetics of transmission

Giselle Beiguelman

Abstract


This article addresses some urban interventions I did between 2002 and 2004 using commercial electronic billboards. All those projects happened in networked environments, dealing with collective forms of appropriation of the advertisement system as public space. They allow us to think about an aesthetics of transmission and to discuss public art in a nomadic context where the interface becomes the message.

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DOI: http://dx.doi.org/10.5210/fm.v0i0.1553



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