Sounds in the cloud: Cloud computing and the digital music commodity

Jeremy Morris

Abstract


This paper investigates the rise of cloud computing, specifically for music. More than just new technologies for distribution, cloud services establish a fundamentally different relationship between listeners and their music. As the metaphor suggests, the cloud offers an infinite space where music is ever available, but cloud services also act as transient and enclosed spaces where the music we “own” is always at an ethereal distance. Cloud–based music services represent a particular cultural model of music distribution — one that enmeshes users in a network of technologies and a process of continual commodification.

Keywords


Cloud Computing; Digitization of the Music Industry; Music Commodity; Digital Music

Full Text:

HTML


DOI: http://dx.doi.org/10.5210/fm.v16i5.3391



A Great Cities Initiative of the University of Illinois at Chicago University Library.

© First Monday, 1995-2017. ISSN 1396-0466.