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Volume 19, Number 10 - 6 October 2014
Volume 19, Number 10 - 6 October 2014
Published:
2014-10-07
Editorial: On the 15-year anniversary of Napster - Digital music as boundary object
Raphaël Nowak, Andrew Whelan
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Fifteen years of ‘Utopia’: Napster and Pitchfork as technologies of democratization
David Carter, Ian Rogers
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Copyright and the architecture of digital delivery
Dan L. Burk
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Napster and the press: Framing music technology
Andrea L. Guzman, Steve Jones
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Explaining the rise and fall of the Warez MP3 scene: An empirical account from the inside
Ard Huizing, Jan A. van der Wal
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Challenging opportunities: When Indian regional music gets online
Florence Nowak
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"This video is not available in Germany": Online discourses on the German collecting society GEMA and YouTube
Philip Stade
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The new romantics: Authenticity, participation and the aesthetics of piracy
Margie Borschke
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Investigating the interactions between individuals and music technologies within contemporary modes of music consumption
Raphaël Nowak
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"Mi wantem musik blong mi hemi blong evriwan" ["I want my music to be for everyone"]: Digital developments, copyright and music circulation in Port Vila, Vanuatu
Monika Stern
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Napster and beyond: How online music can transform the dynamics of musical production and consumption in DIY subcultures
Jhessica Reia
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Improvisation in the digital age: New narratives in jazz promotion and dissemination
Haftor Medbøe, José Dias
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Applications and implications of digital audio databases for the field of ethnomusicology: A discussion of the CNRS — Musée de l’Homme sound archives
Stéphanie Khoury, Joséphine Simonnot
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